How to Do an Archer Push-Up With Proper Form

The archer push-up is an advanced bodyweight exercise that significantly challenges the upper body by shifting the majority of the load onto one arm. This unilateral movement is a valuable tool for developing asymmetrical strength and correcting muscular imbalances often associated with bilateral exercises like the standard push-up. The exercise earns its name because the arms mimic the action of drawing a bowstring as one arm bends and the other extends. Mastery of this variation is a common intermediate step in the calisthenics progression toward achieving the full one-arm push-up.

Foundational Strength Requirements

Before attempting the archer push-up, upper body and core strength must be established to ensure safety and proper form. A good benchmark for readiness is the ability to perform at least 10 to 15 clean repetitions of a standard push-up with full range of motion. This ensures the pectorals, anterior deltoids, and triceps can handle the increased load of the archer variation.

The body also needs to be accustomed to the wide hand position and the lateral load shift. Practicing wide-stance push-ups helps acclimate the shoulder joint to the necessary abduction and external rotation. Exercises that emphasize core and scapular stability, such as plank variations, are important to prevent the hips from sagging or rotating during the movement. This prepares the body for the asymmetrical demands of the archer push-up.

Proper Step-by-Step Execution

The movement begins in a wide plank position, with the hands placed wider than shoulder-width apart and the fingers turned slightly outward for comfortable alignment. The body must form a straight line from the head to the heels, maintained by actively engaging the core and glutes. This rigid setup is important, as any slack in the midline will compromise the movement.

To initiate the descent, shift the body laterally toward one hand, which becomes the primary working arm. As the weight shifts, the working elbow bends toward the torso, maintaining an angle between 30 and 70 degrees relative to the body. Simultaneously, the non-working arm fully straightens, extending out to the side to act only as a stabilizing anchor.

The lowering phase should be performed slowly and with control. The chest descends toward the working hand until the shoulder is near the ground, ensuring a deep stretch in the working chest and shoulder. Avoid rotating the torso toward the extended arm; keep the chest square to the floor to focus the effort on the bent arm.

The pressing phase begins by pushing through the working hand to drive the body back up. The primary focus is returning the torso to the center of the wide hand position, reaching full extension in both arms. The extended arm must remain straight throughout the repetition, serving only as a passive stabilizer and ensuring the working arm bears the majority of the load.

Identifying and Correcting Common Mistakes

Loss of Core Tension

A frequent error is allowing the hips to sag or arch, which signifies a loss of core tension and places stress on the lower back. Correct this by consciously squeezing the glutes and abdominal muscles throughout the movement, maintaining a rigid plank from head to heel.

Elbow Flaring and Extended Arm Use

Another common deviation is excessive flaring of the working elbow, where the arm moves perpendicular to the torso, which can strain the shoulder joint. The working elbow should be tucked slightly, pointing back at a roughly 45-degree angle. Also, avoid attempting to push with the non-working, extended arm. That arm must remain completely straight and rigid, acting only as a fixed point of balance.

Improper Weight Distribution

Improper weight distribution occurs when the body shifts forward instead of laterally, causing the shoulders to move past the hands. This reduces targeted chest and triceps engagement. Correction involves visualizing the shift as a smooth, side-to-side glide, ensuring the chest lowers directly toward the working hand, not forward over it.